Thursday, June 26, 2014

Profane Tales- "Gremlin Hunt"



Synopsis: Picking up where "Traps" left off, Gelding and Amy are now faced with a strange new fae that is wreaking havoc in Amy's castle. Meanwhile, the Siren Tamryn (met in "Melancholy & Magic") is depressed and Gelding is at a loss on how to help her.

1
The Unicorn spent a night guarding the mouth of a tavern, casting his light into the darkness. He had lost words hours ago, for nothing consoled the sobbing creature within. For once in his long life, the Unicorn found himself disadvantaged by knowing another immortal. A mortal maiden would have ceased her weeping when she laid eyes on the magnificent Unicorn. But the weeping siren was not a mortal maiden, despite the sounds of such mortal pain.
He had made the mistake of asking her, “Must you pick off the castle workers? You should hunt mortals elsewhere. The Princess’ handmaids are disappearing like rabbits.”
It seemed that now the Siren was convinced the Unicorn loathed her, though he assured her this was not true. Once those first tears fell, the following could not be stopped. Hours and hours of rocking and sobbing, weeping and clawing the earth, crying and gasping for air, unfolded before the Unicorn. He found no way to console her as he would anyone else.  All attempts sank into her endless sea of sorrow.
“Friend,” he spoke again, daring to interrupt the silence between them “does the sea of sadness have a bottom? How may I help you?”
“You cannot, friend,” she sighed.
The Unicorn went forward into the dampening cavern. The Siren was wrapped in her own black wings, fresh cuts across her body where she had clawed.
“I dine on those whom you protect. Especially the pure. You should vanquish me…Why have you not yet?”
“I cannot hate you for being what you are. Do not touch that which I hold as my own and we shall never have to fight,” he assured her. “Where does this hate for yourself spring from, Siren?”
“I killed that which I loved the most, Unicorn…”
The tattered creature’s mouth opened, fangs shining with fresh blood. Her own clawed hand placed in her jaw. The Unicorn stomped a hoof.
“Stop that! It helps nothing and gives you more to heal. Are you not wounded enough?”
“Before she could respond, both demon and beast were stirred by the blare of a horn.
“It sounds as though the humans need me. I must return to them, my friend. But, Siren, remember my words tonight. Happy ending depends upon where you have chosen to cut off your tale. Think on this. Stay with me…”
He bowed his head as though he would touch her with his horn.
“Goodbye…” she  called after him. “Thank you, Unicorn…”

2
“Unicorn!” the human king’s Captain of the Guard roared at the white creature as it arrived. “Where were you?”
“I was needed elsewhere. I do have a life outside of your princess, if you can believe that.”
“While you were out cavorting with chipmunks, we had a crisis!”
In a cage beside the captain an odd creature of green color was hanging about the bars. The Unicorn had never seen its likeness before.
“What is this leafy, sprightly thing?”
“We were hoping you would tell us.”
The sprightly thing stuck its tongue out at him, much like a human child. This also bore a resemblance the Fairy Royals’ Sprites.
“I have a vague idea of its kind. But I do not think it is quite the same. I have never seen this creature exactly. It looks to be a kind of fae, though.”
“I thought you predated the Garden of Eden,” the Captain grunted.
The Unicorn was not humored by ignorant statements, so he went to work circling the cage and examining the creature closer. Its black, orb-like eyes shined at him. “What did it do to cause trouble?”
“What they are doing is turning the castle upside down. Freed the Princess’ pets. Attacked the barn animals, and now they are attacking us.”
The Unicorn looked about and saw that there was disorder, the embers of a fire being put out. Servants were fanning out burned blankets and cleaning messes that had been tossed from windows. But he saw none of these creatures.
“Where are they?”
“They have burrowed underground!”
The sun happened to be rising on the horizon and the creature imprisoned in the cage shrieked. Both the Unicorn and the man stared in awe as the poor sprightly thing went into flames.  The Unicorn’s ears pinned back in thought.
“Isn’t that the darndest thing, Captain?”
“Where are the others?” the Captain clamored. “Drag them into the sun!”
“Quick-witted of you,” the Unicorn complimented. “I am impressed.”
“Quiet, beast!”
“But you seem to miss the point. That is why they have hidden. Without the shadows, they are rendered too weak to stand the sun.”
“Unicorn!” the Princess Amy’s voice interrupted the discussion. The Unicorn turned to receive the maiden’s hug. One of her arms was in a sling from a recent accident but she still managed to embrace him with her good arm. “I worried where you were.”
“Your anger would be deserved, Amy. I was not here to protect you…” The Unicorn hung his head.
The Captain gestured as though he were nauseous of the scene. “That is all fine and well, but now find the remainder of the monsters and snuff them out, Unicorn.”
“I am not a monster compass,” the Unicorn retorted. “Show them to me and I shall but I shall need aid in finding them.”
The Princess loosed her hand around the Unicorn and offered, “I saw one dig into the ground. Whilst on my balcony, looking down.”
“Show me.”

3
The Princess led the Unicorn to her garden. Though she bit her lip and hemmed and hawed at the prospect she proposed they dig at the ground where the gremlin had nested under the earth. There was a miniscule hole, hardly visible.
“Just how small are these things?”
“The size of the very thing the Captain had in that cage.”
“This looks the size of a bug’s hole.”
“Oh, but they must block up the hole after tunneling down.”
Though he would not show his wonder, again, for a third time in a few hours he was surprised. Now at the this gremlin’s digging skill, earlier at the Captain’s wit working and earlier still at his friend the Siren’s endless sorrow.
He pawed in the very spot Amy had shown him, digging with impressive speed. But though he had the strength and patience to do it, he feared he would not work speedily enough. “Shall we call in the dogs?” he asked.
“Yes, though only the hunting hounds will dare dig and they have been trained to leave the garden alone!” Amy warned. “I believe it will confuse them.”
“I shall have a word with them, then.”
When the hounds were brought before the Unicorn, his own fur bristled at the sight. One or two of the dogs, now quite aged, were among the pack that had attacked him when Amy was a young girl. He stomped a hoof to indicate his dominance to them. Then in the language of Beasts, he commanded. “Here, hounds, dig this hole deep. For there are monsters beneath which we must exterminate. I know you quite capable, as I have seen you turn paw and teeth against helpless rabbits and foxes. Do this and we shall no longer quarrel.”
“Your eyes are so hateful to my father and mother,” spoke one of the youngest dogs. “I fear you, white creature, with your long horn, all glowing and good for poking. I do not trust the hooved one!”
“Calm yourself, hound. I have no animosity towards you and I shall bury any leftover ambivalence towards your parents on this day.  Now will you help to keep the Princess and the castle safe?”
“Oh, please listen to him,” Amy begged the dog.
It was a known fact that Amy could sometimes hear the Language of Beasts, a quaint gift she seemed to possess. Rumor among the castle was that the Unicorn had blessed her with this gift, but the truth was simpler. Amy had been born this way, and good fortune found her that she should meet a Unicorn and the strange and fantastic became believable in his presence.
The youngest dog, alpha of the group, at last gave his submission to the magical beast and the Princess and went to digging at the gremlin’s nest. Of course, a dog could do burrowing better than a Unicorn, being a carnivorous creature.  It came to be that only his fluffy tail wagged at the surface when he caught a bite of something.
“Do bring it to us to see,” Amy called down.
The dog obeyed, all tail wags and a big grin. Snapped between his jaw was what appeared to be a green potato. Amy’s dark eyes shone in amazement. “Oh my. ‘tis almost pretty!”
The dog set it down and cocked his head. “What is it?” he asked the two.
“A kind of Fae. I have never seen the likes of it before. This must be a protective barrier. Hound, can you take in its scent?”
The dog did as suggested and barked at his fellow canines. They scampered forward and did the same.  With sniffs, whimpers and tiny barks, they rose to a challenge. “We will sniff out all that we may find for the Princess and the King,” they told the Unicorn.
“And so do. And bring the findings to me before nightfall.”
The dogs, ever eager to please their human friends, split up to act out this task. Amy held her skirts to fetch her handmaids. “Water for the dogs, please. And extra cages.”
The Unicorn oversaw this small act of Amy taking charge in a dangerous situation and he felt something akin to pride. Perhaps this was a fourth moment of astonishment.

4
Whilst the dogs turned over every stone for these odd fae-things, Amy related to the Unicorn what the creatures’ behaviors had been like.
“One I gave a sweetie to. At first it seemed quite pleased and held its hands out for another, which I had and gladly gave it. But then I was out of the treat and could give it no more. It then became like a petulant child, stomping its foot and even crying. I tell you, they remind me of small children. Pampered ones, at that. I have a cousin who is waited on hand-and-foot and when she was such an age she acted the same way when I received a toy for my birth date.”
“And were you ever spoiled?” the Unicorn asked, mostly out of curiosity. “To be sure, I am. Visiting the villages, I realize I truly am. But I do not believe I ever made such a fuss when not receiving my way. I knew that in time I would get it, if I were patient,” she explained.
“I see, and so it is their impatience that reminds you of children?” he asked.
The Princess nodded. “I find them rather charming if it were not for all the things they break and the trouble they cause. Must they all be destroyed?”
“Of course, Princess. To suffer them to live would be foolish.”
Now as evening sun drew close to the horizon a pile of the cocooned creatures waited before them. The alpha dog informed the Unicorn, “We can find no more, Unicorn. The scent is nowhere else.”
“Father is going to be unhappy with all these holes,” Amy mumbled.
Just as she spoke a raven overhead screeched. Both Unicorn and Princess watched its passing in the sky. The Princess crossed herself at the sight of the bad omen but the Unicorn brightened with an idea. “Princess, to-night call all your guards inside or have them cork their ears. For there may be a sound none should hear.”
“But, Unicorn. Why?”
“I shall explain it later.”
With that he was off in search of his immortal, feathery friend.

4
That sulking siren, with a black veil over her face, had not moved from her weeping post. She still lie in her own winged embrace. But the Unicorn’s light shone down into the cavern, stirring her.
“My friend, I have a task for you. If you will please take a moment from your symphony of sighs to lend me the beauty of your voice, I shall be forever in your debt.”
She, a creature of the night and a demon in reputation, could not help but wonder what the majestic beast wished of her.
“How could I possibly aid thee at such a time?”
“The King’s castle is infested by Fae-things. They are like children and I believe for that reason your song may be useful to us.”
The Siren was seen to sigh and then unfold her wings. She lifted her head and stretched out. It was true she had songs particularly to lead children astray, for the ancient creatures delighted in mortal children’s bones, still tender and soft.
“I could lead mortal children astray but these are Fae.”
“Will you not try? If it does fail, I could destroy them with a flicker of my light, but the Princess tells me they are innocent in nature, if not triflingly naughty. I wonder if you may lead them back to the Fairlands?”
The Siren turned to him. From under the veil there appeared the faintest of smiles. “You are confident this may work?”
“I believe in your song,” he assured her.
“Then I shall try,” she agreed.
When the creatures reached the mortals’ castle, the Siren asked, “Why is the yard so…eh, holy?”
“The blessing of dogs,” the Unicorn quipped. “These fae burrow to hide from the light. Siren, hear and understand why I ask you to do this. These are Fae and likewise the Fae should have to take responsibility for them.”
She nodded in agreement, knowing the way to that other world. All she needed was for the night to fall.

5
Night’s power fell on the mortal land.  As it did, the green cocoons of the gremlins began to fade as if they were illusions. The moonlight washed the greenery of their blankets away. The vegetal creatures stretched out and yawned. The first gremlin to realize they were in a cage let out a howl of dislike. The others followed suit until the cage was a bedlam of noise. The Unicorn stood nearby, ears flat to avoid the racket. It was quite irritating to him.
But he was the one who needed to stand guard and await the Siren’s song.
The song began so faint that it could be dismissed as illusions of night noise. But it fluttered closer, ever closer to where the creatures were caged in the garden. The things lifted their petal ears, paused with those leaves following the sound. The outline of the Siren shone against the backdrop of the moon.
The first gremlin to see her pointed her out to the others. Then, almost in an instant, all of their little eyes caught the image, transfixed. Like children, indeed, they became pettish and impatient about touching the mysterious figure in the sky.
The Unicorn knew when their hypnotism was complete, because they all began to move in unison. He pulled the string connected to the cage. The cage door swung open and the gremlins tumbled out. The Siren began to lead them. The gremlins all had little bee-like wings which lifted them into the air to join her.
But her figure was playful and swifter than they. For a little while, the Unicorn saw that they were playing a game of chase with the demoness. But soon she spun about and led them into the night. He nodded in satisfaction. His friend had come through.

6
The following morning, the castle was not disturbed by the creatures. The Unicorn had time to explain to the Princess what plan he enacted. She was frightened and curious to discover that such a demon dwelt in the forest but the Unicorn assured her that the Siren would not attack her. As the Unicorn’s friend, the Siren had sworn not to harm the Princess and he trusted her word.
He went in search of the Siren that same evening and found her asleep in the cavern where she nested. There was no weeping and that relieved the Unicorn. He had never seen such deep despair from another immortal creature and, though demonic in nature and his opposite in actions, he pitied her. Pity was not a thing the old Unicorn felt often.
“Rest well, good creature,” he told her sleeping form.
Quickly, tentatively he moved forward and gave the form a gentle nuzzle of affection.

Friday, June 20, 2014

Excellent Day for an Exorcism: Part 3- "Annelisse: The Exorcism Tapes" (2011)

Welcome back, fellow demoniacs. Today our movie is a 2011 piece of shit film Annelisse: The Exorcist Tapes. Allow me to collect myself before we begin to delve into this steaming pile of twice-recycled shit.



WARNING: Both spoilers and strong feelings from the writer will be expressed in this review. The fact that Annelisee Michel was a real person seems to be the last thing on the filmmakers’ minds and I will offer none of the mercies I give to other movie-makers who are only doing their jobs and sometimes failing. This. This is different.

SYNOPSIS: A bit of fan-ficcy historical fiction is afoot when a camera crew and a group of “scientists” appear at the house of Annelisse Michel. If you are unaware of who Miss Michel was, an easy google search will provide you with sufficient data. In short, she was an epileptic woman who developed psychosis tied with her deeply religious beliefs. The pain became demons and her death became martyrdom. This is the same case that inspired the 2005 blockbuster The Exorcism of Emily Rose and the lesser known, superior German drama called Requiem. Both of those films are worth your time and I recommend them, especially the beautifully done and exquisitely acted Requiem, a film that not only poses questions but proposes some answers to the real life tragedy of a suffering young woman. In that film, the priest and doctors are shown in a fair light.

Fair light is not something you will have much of in “Annelisse.” Both figuratively and literally. Since when I do these reviews I keep a simple grading system to determine how I rate the movie, I found myself sinking it despite looking for redeeming qualities. This time I will share the process with you because it suddenly became hilarious how spectacularly this film failed in every point.
You begin with a score of 100, no matter what movie you are. You made a movie. That gets you an A for pure effort. And, believe it or not, I am incredibly nice when it comes to things I do not personally like. I suppose as a creator myself I understand and appreciate the incredible effort that goes into preparing just one piece of artwork. So here is how this review will be done. First I will go through the synopsis and share with you when the film makes mistakes with all the glee of your evil Third-Grade English teacher. Second, we will go through the “Possession Flick Score Board” to see how many needless clichés the film hits. (I usually forgive a cliché if they work well. Which is rare. Then we see if they get any Grace Points by bringing something new to the table.) 

Ready for this? Here we go.

Not only does this film open with the erroneous claim that this is “found footage” and that the scenes have not been doctored, but even the description of the movie is incorrect: “The case that inspired the 1970s blockbuster films.” The title, “The Exorcist Tapes,” implies that the Michel case inspired the movie The Exorcist.
But add this up. 

  • The Exorcist came out in 1973
  • Anneliesse’s case happened in 1976
  •  You lose points for insulting your audience’s intelligence and getting your facts so screwed up you cannot even catch what bullshit you are trying to pass off as bullshit, Bullshit. (-1)  
  •  That’s a lot of Bullshit. Penn and Teller need to do an entire episode about this movie.

Right away the editing of the scenes do not do the movie any favors. This does not, at any point, look like a documentary from the ‘70s. (-1) The group of “scientists” with camera crew arrive to film Annelisse for a “study” into epileptic psychosis. Or at least that is what her German doctor says. No subtitles provided for the German spoken in this film. Why not, I do not know but it becomes distracting very quickly because everyone besides Annelisse’s actual doctor are Americans. Highly unlikely. (-1) American scientists and camera crew visiting a German family with German priests and a German doctor, with the Americans being the voice of reason. Oh boy. Not even 10 minutes in and we have the White American Savior Complex already in effect. (-1) They want to film the supposedly possessed girl, though it is unclear how this is even legal. There is a study exploiting a patient without her or her parents’ consent. The German doctor mentions a “contract” of some sort but that never explains why the parents fail to call the police and have these assholes taken out of their house. I am fairly sure that filming a documentary in someone’s house who does not comply with it is illegal as well, regardless of some medical contract bullshit. That is home invasion. I’m pretty sure it’s illegal to stay and film an exorcism without the patient, the patient’s guardians and the Church’s consent. Yeah, this just would not have happened. (-1)
"You're a stinky doodoo head!"


Things become “creepy” right away when the doctors see a pale and sleep-deprived Annelisse standing around, unresponsive to questions. Because nothing is scarier than women who do not follow instructions, am I right? She then pisses on the floor in true Exorcist-fashion. But she does that film one better by dropping to the floor and playing in the urine, licking it and grinning wickedly as she does so. Besides being gross this gives us nothing, honestly. All it does is validate her doctor’s suggestion that she go back to the hospital. But Annelisse’s priest argues that the doctors had her for two years and she did not improve. Ergo, she needs an ancient ritual of driving out negative forces by yelling things at her repeatedly until she stops…being crazy. Perfect. 

"The chemo therapy you have been undergoing for two years hasn't cured your cancer. So now we need to sacrifice a virgin to Pancuplagros. And wear these carrots to ward off evil."

It becomes clear that there will be two sides in this movie. On one side we have Father Rigid, his helper, and Annelisse’s parents who think that an exorcism is the ONLY answer. Then we have Annelise’s German doctor, the “scientist” that is with him, and his American film crew who may or may not be scientists themselves. They all believe that Science is the ONLY answer. Note the conspicuous lack of people who consider “Hey. What if we use both?!” And, no, I do not remember one of their names. They do not deserve to be remembered. 

FUN FACT: When yours truly went back to re-watch this movie, Netflix had already taken it out to pasture and shot it to death.  RIP Movie (2011- 2014) . 

But Team Science reports that they are spooked out because when they were walking up the path to the house they turned around and saw three-ish dead crows paving the path. Oh freaky. Not. Not even scary. (-1)

More tape cliché stuff with it messing up randomly and it adds nothing. (-1) While Annelisse is sleeping, the doctor finds that all the crosses in the house are turned upside down because apparently that is Satanic and not at all how St. Peter was crucified, right? The priest, who is supposed to know such things, also seems to think this is the work of a demon who has nothing better to do than pretend to be a badass Satanist. (-1)

Father Whatshisname, being a douchebag.

The main Camera Man seems to be swaying close to Team Exorcism because “freaky shit” keeps happening. Such as Annelise’s bed levitating and her speaking English. The scientist even screams “She speaks English?!”  Noooo. That’s a horrible language! (-1) Did I mention the acting here is atrocious? I’ve seen Discovery Channel documentaries with better dramatizations than this. (-1)
At this point the film begins to replay its old scenes like a real documentary but isn’t bound together as well like a real one. So it sucks at being a mockumentary, too. (-1)

The Dumb-Dumb German parents. Forgot their pitchfork for the picture.

The priest keeps insisting “There are no reasons for doctors here…” because they had her for two years but weren’t helping? Okay, so following that school of thought a cancer patient tried chemo therapy but the cancer didn’t go away so they should just not do it anymore. Is that the idea? Because that is kind of reckless, don’t you think? For the love of your God, you can do your exorcisms with medical help, right? Is that really such a difficult concept to grasp or is this movie just not sophisticated enough to delve into those kind of nuances? Also, priest-man, does it occur to you that Annelisse might be chronically mentally ill. Meaning, uh, there’s no cure. But she still deserves TREATMENT. Treatment doesn’t always mean they are going to make a full recovery. But it makes life more comfortable for the patient. Grow up. (-1) All the doctors and crew do is complain and threaten to go to the authorities when they really should have as soon as they caught wind of what was going on. (-1) The non-horror portion of the film is spent making the doctors and scientists look stupid by having them say again and again “I can’t explain it at the moment! I just can’t! I can’t!” (-1) Someone actually yells “Enough of your mumbo-jumbo!” That’s like…a line from a parody of exorcism movies. Are you kidding? (-1) The priest acts equally moronic with lines like “How could she know English? She’s never left Germany!”  Uh…it’s called television. (-1)

"I command you in the name of English to fear me!"

When the doctor threatens to go to the authorities, the priest tells the scientist/doctor off by saying because he’s been ordered by the arch-diocese to perform this ritual, if the doctor goes to the authorities he will be “laughed out of the court room” because this parish is religious.  Uh….no, he wouldn’t. That would not happen. Anywhere in the world. Ever since the start of the modern age. Come out of the Stone Age, Father Flintstone. (-1) There is also an unfair depiction of the parents as buffoons. (-1)One of the crew interrupts this riveting debate with a report of a poltergeist upstairs. Note, he reports it. But we do not see it. (-1)

Rather than have Anneliese report this herself, Father Flintstone annotates the end of Emily Rose. (Seeing Mary, blah blah blah. That’s why the exorcisms have to continue. So the world will believe in demons and good and evil. Blah blah blah BLAH!)  Also, another point off because that would ONLY make sense to a sad psychotic girl and the priest is riding it for his ego’s sake. You’re not a hero. You’re an asshole. (-2)

During a violent exorcism, Annelisse spews more charming dialogue. “You can take your medicine and shove it up your ass!” Oh, caustic, Annelisse! So caustic!(-1) The film then cuts to black and uses recordings but no scene, so we hear Annelisse speaking in tongues. L-A-Z-Y. (-1)

Making the doctors look stupid, the religious folk look like asses and the demoniac look unbelievable isn’t helping you capture the audience. In fact, most of the audience has probably left or fallen asleep by now. Annalisse verbally berates the scientist and he freaks out. It takes very little provocation. It is so sudden when he physically attacks her that it belongs in one of the Scary Movie sequels. (-1) 

The actual exorcisms of the film blend together, different only in the amount of Stupid that the two teams bring to them. One particularly classy scene has the girl rip her nightgown off with Hulk-like strength because nothing is more important than adding boobs to a movie like this. It’s all it needs, right? Later she proceeds to pull a dead bird out from…under her pillow….and bite its head off. Yum? Then she throws the priest with one hand. Because I think all that scene needed was another bad stunt. Eventually Annelisse attacks her German doctor and chokes him to death. Then she laughs like a girl, as Satan is prone to do in these kinds of movies when his vessel is a young white woman. (-1) The scene of the doctor’s death is the stupidest thing ever. The priests keep praying and people do NOTHING. They don’t even TRY to pry her off of him. (-1) Why is this such a non-event? Where is his body? What do they tell the police? Do they just toss him outside and say nothing. What about his family? Holy god! (-5)

Next we see her, Annelise is finally strapped down to the bed. She’s been drinking her pee, slapping, scratching and attacking people for YEARS and you only now just think to tie her down? (-1) The sole female member of the camera crew is convinced to loosen one of Annelisse’s straps when she asks her kindly. Then Annelisse grips her wrist and tells her off about her deepest secret. 

Film, you don’t know what atmosphere or tone even mean. And you don’t DESERVE to bring up subjects like rape, child abuse and pedophilia in your script. The camera woman, a victim of sexual abuse when she was a child, is brought to tears by the demon who attacks her…just because, I guess, she needs to die. But this film does not know how to handle the concept. So it loses five whopping points for even attempting.  As Horror Movie Satan would say “Go fuck yourself.” (-5) The camera woman hangs herself, bringing the body count to five in this shittastic film, and for no reason.
Next we see the priest slapping Anneliese and forcing her to genuflect 600 times. Priest-Man, you know it’s a demon and not her so why would slap her? Why would you torture her? We already know you’re an asshole who recklessly ended a woman’s life with neglect but this is just gratuitous and confuses an already messy script. (-5)

Team Science and Team Exorcism continue to spew out tripe about an order from the diocese overriding these people’s need to report a fucking MURDER and suicide. (-1) Also, in real life, Annelisse did blow out her knees and need a wheelchair, so good job for reminding me about that, Movie. At this point I’m just angry at you for dragging this families’ name even further into the dirt. (-1)

Also, Team Science and Team Exorcism, it is illegal NOT to report a murder if you know about it. You become an accessory to a crime if not. Good job, dingbats. (-1) Why are you still shooting this “study” after half your crew is dead? Who is actually shooting it at this point? Who in their right mind would still be in that damn house unless they were an idiot? (-1)

Annelisse appears in a wheelchair to the angry camera man who is, understandable, pissed off, that two people are dead. But she kills him off camera because…hell, why not, right? Then the last standing Team Science member appears filming himself in front of Annelisse’s bed so she can easily stab him in the back. No, really. That’s what happens. He basically sets himself up for a murder. But before he does that he turns himself over to “something more” in the cheesiest conversion moment of all time. Anne stabs him in the back with a butcher knife that she got from…Satan, I guess. She cuts herself a few times before the priests appear to exorcise her, again, apparently not caring about another dead body on the floor. She then dies and I am actually happy the most annoying possessed person in a movie ever is fucking gone. 

Uh, all you possessed chicks are the same.

The film ends with another pseudo fact about Michel’s grave being a place of pilgrimage for some Christians. This is true. But I will have you note a few things at the end of this review in memory of the real Annelisse. Who was a flesh and blood human like you and I, and not a horror movie spectacle in a piece of shit story like this.

Cliché Scoreboard.

POSSESSION FLICK SCORE BOARD:
Cliché Board
 
·         Victim: Young, White, Female, Helpless- check (-1)
·         Horrors of the Female Form: -check (-2)
·         Projectile Vomit: Silly CGI spiders. Check (-1)
·         Cliché Demon Voice: Yes. And it’s not scary. (-1)
·         Mental Illness is Scary (Ah!): Don’t really have a chance to. But I’m sure it would have exploited it, had it the chance.
·         Troubled Non-believer and/or Science vs. Faith: Check (-2)
·         Potty Mouth Demon: Check. (-1)
·         Whisper Lewd Things to Me, Satan (Horrors of Female Sexuality): Yes. And how! (-1)
·         The Devil Does Yoga (+ if in a pretzel): Yes (-1)
·         Spider Walk: Yes. (-1)
·         Imitating Emily Rose:  (-3)
 Other Cliché Points Off:
·         Based on True Story: -5 (Actually this film CLAIMS to be ACTUAL FOOTAGE of what happened. So it loses 5 points right away).
·         Factual Errors if above is to be believed: -6 (This is the danger of claiming to be based on fact or, in this case, ACTUAL found footage. Every time something is inaccurate you lose a point.)
·         Shaky camera: -1
·         Gross Out scares: -2
·         Lights Flicker Out cliché: -1
·         Pointless Poltergeists: -1
·         Pointless creepy singing: -1
·         Laughable special FXs: -2
·         Almost exact scene from Last Exorcism where possessed girl plays with camera: -1
·         Pointlessly Big Body Count: -5
·         Off-Screen Scream cliché: -1
·         Scream into Camera cliché: -1

Grace Points
·         None. Absolutely none. You get no grace points, movie.

Cliché Count: 11 out of 12 for main score.
Skipped Clichés:  1. But it would have had insanity-phobia if it had the chance.
Other Negative cliché points: 27
Negative Points from Synopsis: 47
Overall negative points:74
Grace points: 0.
Your Score: 15.


IN MEMORY of the Real Annelisse Michel

Photos from the real Michel case.

I am not here to tell you that Miss Michel needs to be canonized a saint or that I am insulted religiously by this. I am not a religious person and I am not Christian. If I were to be completely truthful, I will admit I was raised Roman Catholic, the same faith as Annelisse at the time of her death. I was raised to believe that this kind of thing does happen, but very rarely. In fact, many teachers in Catholic school told us never to jump to conclusions about such a thing. It is dangerous. People die in attempted exorcisms all the time. Catholic exorcisms are different from protestant counterparts where a crowd watches a preacher drive out the negative forces in celebratory triumph. A Catholic exorcism is rarely ever granted because a series of proofs are required to even consider it. Can you blame them? Imagine fanning the flame of a dangerously psychotic schizophrenic by addressing them as “Satan.” Not a good idea. Belief in being possessed is an easy delusion to encourage if you play along with it.

What I am here to tell you is that I understand. I sympathize. And I certainly do not find tripe like this movie morally forgivable. To turn the tragedy of such a person into one of the shittiest horror movies of all time, to exploit the hype, to drag the sadness of her family further into the dirt is not right. It is not fair to the Church either. It gives the impression that all Catholics are backwards thinking, anti-medicine asshats who would force a young woman to genuflect until she ruptured her knees. People give films like The Exorcist a wrongful “anti-Catholic” image. If you were to watch that original film you will see the nuances of its suggestions and the role-model that Father Karras truly is. He is practical-minded, forward-thinking and someone who understands that to help the victim of the demonic possession, he must also apply his medical know-how. This “Science vs. Religion” fight is a fairly new revival in the Possession Flick subgenre. All that aside, let us look at who Annelisse really was.

She was an intelligent young woman who had begun her years at college with hopes for the future, despite a disease that had begun to hamper her. She was from a rather religious family. She lived in Germany. This disease, her seizures and the pain, began to rob the future from her. Who would not want there to be a meaning for all this? Who would not want to feel like their pain meant something? What most do not remember about this case is that Annelisse believed she was atoning for the sins of others, much as saints of the past did. Did this erratic, dangerous, delusional behavior make her psychotic? Probably. But does that give movie-makers the right to turn her into this? No. It does not. Here is a young woman who suffered greatly whether you believe there was some kind of divine reason for it or whether it was purely mental illness brought on by the crushing disappointment of losing her life to these painful seizures and hallucinations. It does not matter which you believe. If you are going to mar a person’s life so much, at least change the fucking title of your movie. And painting the doctors as idiots and the priests as the heroes is more than a little questionable. The fact stands that these priests were charged with negligent homicide, a charge that was probably too light for them. When Annelisse died she weighed less than 70 pounds, was dehydrated, her knees had given out and she was missing teeth. Someone along the way made her problems into questions of petty faith. And that is not forgivable.  Let us not forget that her problems began after the release of The Exorcist and that the power of suggestion is stronger than people realize.

When you push aside all the religious implications you also have a mentally ill woman who has been turned into a kind of one-woman freak show in horror movies. At least Emily Rose was a fictionalized story based on the fact. Hell, even Requiem, which is the most faithful to Michel’s story, changed her name. But this movie felt like it had the right to use her name. This is morally repugnant. Not even a century has passed from this person’s death before you degrade her name to this. At least that pornographic Caligula film was made thousands of years after his death. Before you make fun of crazy people, maybe you should wait a while, right?

Rarely am I THIS harsh when I am seriously critiquing something. I believe the fact that someone labored over something and made it earns them points. And even the worst of movies entertain someone out there. But this is insulting to a movie-watche’rs intelligence and insulting to me personally on a mental level. Knowing what I do about the Michel case, and having seen it handled with maturity in films like Requiem and, hell, even Exorcism of Emily Rose, I cannot possibly pretend to find anything redeemable in this pile of garbage. Leave it in Hell where it belongs. It is not even so bad it is laughable. It is just plain bad.

Well, all that said. Here are the supposedly REAL recordings from one of Michel’s exorcisms. Sweet dreams.


(A/N: Apparently people have a high horse complex when it comes to hotlinking images. So here are the same exact images without credit. Because, guess what, those images don't belong to you, even if you "made" them on your computer. They belong to the movie companies. <3 )

Wednesday, June 18, 2014